© 2005 Annabelle A. Udo
(published in "AsianWeek" for August 18, 2005)

Photo by Annabelle A. Udo
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The Aloha Pumehana ‘O Polynesia (APOP) Hawaiian Cultural Center nestles itself in a quiet South San Francisco residential neighborhood. It is a home away from home bejeweled with tapestries that honor the ancestral spirit of Hawai’i.
Established in 1994, it is the first Hawaiian dance company in the United States to own the land and studio in which they study and practice, bringing the Hawaiian experience to the Bay Area and making its commitment to preserve Hawaiian culture and traditions through education and performance. The center offers an array of public classes including lei making, hula, ukekele, how to make natural dyes, as well as courses on Hawai’i’s history, geography, and language through mele (chant) or oli (song). Under the direction of kumu hula (hula master), Kāwika Alfiche, the school has more than 100 students ranging in age from 5 to 75.
“To us, hula is not just a physical dance aspect, it’s a religious aspect,” says Alfiche. “It’s also getting your hands dirty by growing the plants from which we create the implements that we have to wear and use in performances. It’s all-encompassing—it’s emotional, physical, and it’s spiritual.” Alfiche, who has studied under an extensive lineage of Hawaiian hula masters, gives credit to his late teachers, Kumu Ray Kahikilaulani Fonseca, Uncle George Lanakila Keikiahiali’i Naope, and Auntie Harriet Spaulding.
Alfiche found a need to create a community resource center to fill the cultural void for Hawaiians living on the mainland. Given the dwindling native Hawaiian population, he feels the importance of preserving the traditions integral to the perpetuation of Hawaiian culture.
“Up until 1970, it was illegal to teach Hawaiian language so we couldn’t even teach it in schools,” he said. “At that time, there were only 5,000 native speakers, hula was banned for close to 100 years and it wasn’t allowed to be done publicly. What we are left with today is what is remembered and what can be passed on.”
However, Alfiche has observed a shift of interest with the younger generation who are now revisiting the cultural traditions of their kupuna (elders) who have long been the caretakers of knowledge. He commented, “The kupuna are dying quickly and they are the ones with the true stories. The weight falls on this generation to find out the answers before the stories become extinct.”
Alfiche and Halau ‘O Keikiali’i, his troupe at the APOP Hawaiian Cultural Center, continue to supply their audiences with an inexhaustible amount of dance and music performances. Their recent piece at the 27th San Francisco Ethnic Dance Festival this year at the Palace of Fine Arts, featured a hula written originally as a prayer for Hawaii's seventh ruler, King David Kalākaua, as he set out on his journey to circumvent the globe. King Kalākaua, who was best remembered for restoring Hawaiian culture and going against the missionaries who had banned hula and other Hawaiian traditions, never made it back to his native Hawai’i. He spent his last days in San Francisco and passed away in 1891.
The essence of the hula performed by Halau O’ Keikiali’i is filled with ancient chants and movements passed from one generation to another. The storylines evoke the naturalistic experience of the islands’ lush terrain while also honoring significant deities, leaders and ancestral places that are a vital part of Hawai’i's history. The text of the songs often have an additional layered meaning, which is believed to be prophetic codes of conduct to guide generations to understand cultural etiquette. For more information about the Aloha Pumehana ‘O Polynesia (APOP) Hawaiian Cultural Center, call 650.588.1051 or visit www.apop.net.
KALEO CAFE
In June 2000, Alfiche and Ulysses Kia`i Maurille, opened the Kaleo Café, located at 1340 Irving Street in the Sunset District. Joined with partners, JR Tarape, Kimo Rosenbaum, Ryan David, Mit Kamana`o Maurille & Artemis C. Maurille, the cafe was just another avenue of bringing a Hawaiian presence to the Bay Area. Its name, "Kaleo", roughly translates in Hawaiian as a "saying or expression"; or, as two separate words, "ka" "leo", literally means "the voice." A deeper meaning of “kaleo”, is the exchange of "leo" (voice) with close friends and family. For more information about the Kaleo Café’s Friday “Cafeoke” (karaoke) nights, live entertainment, poetry/literary events, and ukele lessons. For more information about the Kaleo Café, please call 415.753.2460 visit www.kaleocafe.com.
“NĀLEI” CD INFORMATION
“Nālei” is a beautiful collection of original Hawaiian music arranged and composed by Kāwika Alfiche. Featured on this 14-track compilation are “E Pā Mai Ka Makani” (“Gentle Breezes Blow My Way”) and “Hōkūlani” (“Starlit Heavens”) which are expected to hit the airwaves this year in Hawai’i and on the mainland. Characteristic of traditional Hawaiian style instrumentation, “Nālei” revisits the breadth of the ukulele, ipu heke (gourd drum), `ili`ili (river stones), Pahu (shark skin drum), and Kiho`alu (slack key guitar). In addition to the Kawika’s are (Bassist) Steve Espaniola; (Guest Vocalists) Jiana Alfiche and Kalei Alonzo; (Keyboardist) Mit Kamana`o Maurille; (Tahitian Banjoist) Kale Ancheta; and Hālau chants by Hālau 'O Keikiali'i. Online CD orders can be made by visting www.kawikaalfiche.com