Impulsive Poetry: Napkins, Matchbook Covers, and Bathroom Walls
© 2005 Annabelle A. Udo
(published in "Listen & Be Heard" Weekly - June 30, 2005)
Chevron Gas Prices o' the Day (19th Avenue)
$2.51
$2.61
$2.71
Writing poetry on bar napkins was a ceremony that a good friend of mine and I would do when we went out drinking back in the days of pre-gentrified San Francisco. Although a lot of it was inebriated scribble, for the most part, it went beyond Creative Writing 101. He would write something and I would add on to it. If others were joining, we’d pass it around the table. Yea, it was a lot of fun.
I’m happy to announce in this day of modern technology, that the age-old art of napkin writing continues with its other famous siblings—matchbook covers and bathroom walls. Still, when the impulse strikes to write down what you absolutely know is going to be the poem that will allow you to quit your day job, you’ve got to grab what you can—a parking ticket, a beer coaster, a piece of cardboard. . .anything! It certainly beats trying to get someplace and log onto a computer to sign in with your password and user ID to get to your blog. Although, as a sidenote, I do have to say that one of my favorite blogs is called “Writing on a Paper Napkin” (http://writingonapapernapkin.blogspot.com/)
Facets, an online literary publication (www.facets-magazine.com) posed the question: “What is the best writing advice you’ve ever got?” of which one poet wrote: “My father was a writer and one of the things he told me was that if I wanted to be a writer, I should be writing all the time, noting thoughts and impressions on envelopes, scraps of paper, and napkins.”
And so, with the innumerable pieces of material that are part of our societal consumption—could there ever be a shortage of writing materials? Well, some you can’t take with you—for example, a bathroom wall. Nevertheless, thoughts that come surging out of the mind can’t wait to find the perfect stationary to be placed upon. The poem inside you that needs to come out is like a birthing process and needs to arrive wherever it can.
That some cultures in America are so fascinated with the writings on the cave walls of ancient times, yet dismiss graffiti as a form of communication in modern times, always baffles me. Writers, poets, artists of all kinds have been finding instantaneous methods to express ourselves—be it the ubiquitous napkin or a fallen leaf of an oak tree—the impulse to write will always remain.
(published in "Listen & Be Heard" Weekly - June 30, 2005)
Chevron Gas Prices o' the Day (19th Avenue)
$2.51
$2.61
$2.71
Writing poetry on bar napkins was a ceremony that a good friend of mine and I would do when we went out drinking back in the days of pre-gentrified San Francisco. Although a lot of it was inebriated scribble, for the most part, it went beyond Creative Writing 101. He would write something and I would add on to it. If others were joining, we’d pass it around the table. Yea, it was a lot of fun.
I’m happy to announce in this day of modern technology, that the age-old art of napkin writing continues with its other famous siblings—matchbook covers and bathroom walls. Still, when the impulse strikes to write down what you absolutely know is going to be the poem that will allow you to quit your day job, you’ve got to grab what you can—a parking ticket, a beer coaster, a piece of cardboard. . .anything! It certainly beats trying to get someplace and log onto a computer to sign in with your password and user ID to get to your blog. Although, as a sidenote, I do have to say that one of my favorite blogs is called “Writing on a Paper Napkin” (http://writingonapapernapkin.blogspot.com/)
Facets, an online literary publication (www.facets-magazine.com) posed the question: “What is the best writing advice you’ve ever got?” of which one poet wrote: “My father was a writer and one of the things he told me was that if I wanted to be a writer, I should be writing all the time, noting thoughts and impressions on envelopes, scraps of paper, and napkins.”
And so, with the innumerable pieces of material that are part of our societal consumption—could there ever be a shortage of writing materials? Well, some you can’t take with you—for example, a bathroom wall. Nevertheless, thoughts that come surging out of the mind can’t wait to find the perfect stationary to be placed upon. The poem inside you that needs to come out is like a birthing process and needs to arrive wherever it can.
That some cultures in America are so fascinated with the writings on the cave walls of ancient times, yet dismiss graffiti as a form of communication in modern times, always baffles me. Writers, poets, artists of all kinds have been finding instantaneous methods to express ourselves—be it the ubiquitous napkin or a fallen leaf of an oak tree—the impulse to write will always remain.















